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George Iv And Mrs Fitzherbert

In the last decade of the eighteenth century England was perhaps the

most brilliant nation of the world. Other countries had been humbled

by the splendid armies of France and were destined to be still further

humbled by the emperor who came from Corsica. France had begun to

seize the scepter of power; yet to this picture there was another

side--fearful want and grievous poverty and the horrors of the

Revolution. Russia
was too far away, and was still considered too

barbarous, for a brilliant court to flourish there. Prussia had the

prestige that Frederick the Great won for her, but she was still a

comparatively small state. Italy was in a condition of political chaos;

the banks of the Rhine were running blood where the Austrian armies

faced the gallant Frenchmen under the leadership of Moreau. But England,

in spite of the loss of her American colonies, was rich and prosperous,

and her invincible fleets were extending her empire over the seven seas.

At no time in modern England has the court at London seen so much real

splendor or such fine manners. The royalist emigres who fled from France

brought with them names and pedigrees that were older than the Crusades,

and many of them were received with the frankest, freest English

hospitality. If here and there some marquis or baron of ancient blood

was perforce content to teach music to the daughters of tradesmen in

suburban schools, nevertheless they were better off than they had

been in France, harried by the savage gaze-hounds of the guillotine.

Afterward, in the days of the Restoration, when they came back to

their estates, they had probably learned more than one lesson from the

bouledogues of Merry England, who had little tact, perhaps, but who were

at any rate kindly and willing to share their goods with pinched and

poverty-stricken foreigners.

The court, then, as has been said, was brilliant with notables from

Continental countries, and with the historic wealth of the peerage of

England. Only one cloud overspread it; and that was the mental condition

of the king. We have become accustomed to think of George III as a dull

creature, almost always hovering on the verge of that insanity which

finally swept him into a dark obscurity; but Thackeray's picture of him

is absurdly untrue to the actual facts. George III. was by no means a

dullard, nor was he a sort of beefy country squire who roved about the

palace gardens with his unattractive spouse.

Obstinate enough he was, and ready for a combat with the rulers of the

Continent or with his self-willed sons; but he was a man of brains and

power, and Lord Rosebery has rightly described him as the most striking

constitutional figure of his time. Had he retained his reason, and

had his erratic and self-seeking son not succeeded him during his own

lifetime, Great Britain might very possibly have entered upon other ways

than those which opened to her after the downfall of Napoleon.

The real center of fashionable England, however, was not George III.,

but rather his son, subsequently George IV., who was made Prince of

Wales three days after his birth, and who became prince regent during

the insanity of the king. He was the leader of the social world, the

fit companion of Beau Brummel and of a choice circle of rakes and

fox-hunters who drank pottle-deep. Some called him "the first gentleman

of Europe." Others, who knew him better, described him as one who

never kept his word to man or woman and who lacked the most elementary


Yet it was his good luck during the first years of his regency to be

popular as few English kings have ever been. To his people he typified

old England against revolutionary France; and his youth and gaiety made

many like him. He drank and gambled; he kept packs of hounds and strings

of horses; he ran deeply into debt that he might patronize the sports

of that uproarious day. He was a gallant "Corinthian," a haunter of dens

where there were prize-fights and cock-fights, and there was hardly a

doubtful resort in London where his face was not familiar.

He was much given to gallantry--not so much, as it seemed, for

wantonness, but from sheer love of mirth and chivalry. For a time, with

his chosen friends, such as Fox and Sheridan, he ventured into reckless

intrigues that recalled the amours of his predecessor, Charles II. He

had by no means the wit and courage of Charles; and, indeed, the house

of Hanover lacked the outward show of chivalry which made the Stuarts

shine with external splendor. But he was good-looking and stalwart, and

when he had half a dozen robust comrades by his side he could assume

a very manly appearance. Such was George IV. in his regency and in

his prime. He made that period famous for its card-playing, its deep

drinking, and for the dissolute conduct of its courtiers and noblemen no

less than for the gallantry of its soldiers and its momentous victories

on sea and land. It came, however, to be seen that his true achievements

were in reality only escapades, that his wit was only folly, and his

so-called "sensibility" was but sham. He invented buckles, striped

waistcoats, and flamboyant collars, but he knew nothing of the

principles of kingship or the laws by which a state is governed.

The fact that he had promiscuous affairs with women appealed at first

to the popular sense of the romantic. It was not long, however, before

these episodes were trampled down into the mire of vulgar scandal.

One of the first of them began when he sent a letter, signed "Florizel,"

to a young actress, "Perdita" Robinson. Mrs. Robinson, whose maiden

name was Mary Darby, and who was the original of famous portraits

by Gainsborough and Reynolds, was a woman of beauty, talent, and

temperament. George, wishing in every way to be "romantic," insisted

upon clandestine meetings on the Thames at Kew, with all the stage

trappings of the popular novels--cloaks, veils, faces hidden, and armed

watchers to warn her of approaching danger. Poor Perdita took this

nonsense so seriously that she gave up her natural vocation for the

stage, and forsook her husband, believing that the prince would never

weary of her.

He did weary of her very soon, and, with the brutality of a man of such

a type, turned her away with the promise of some money; after which he

cut her in the Park and refused to speak to her again. As for the money,

he may have meant to pay it, but Perdita had a long struggle before she

succeeded in getting it. It may be assumed that the prince had to borrow

it and that this obligation formed part of the debts which Parliament

paid for him.

It is not necessary to number the other women whose heads he turned.

They are too many for remembrance here, and they have no special

significance, save one who, as is generally believed, became his wife so

far as the church could make her so. An act of 1772 had made it

illegal for any member of the English royal family to marry without the

permission of the king. A marriage contracted without the king's consent

might be lawful in the eyes of the church, but the children born of it

could not inherit any claim to the throne.

It may be remarked here that this withholding of permission was strictly

enforced. Thus William IV., who succeeded George IV., was married,

before his accession to the throne, to Mrs. Jordan (Dorothy Bland).

Afterward he lawfully married a woman of royal birth who was known as

Queen Adelaide.

There is an interesting story which tells how Queen Victoria came to

be born because her father, the Duke of Kent, was practically forced

to give up a morganatic union which he greatly preferred to a marriage

arranged for him by Parliament. Except the Duke of Cambridge, the Duke

of Kent was the only royal duke who was likely to have children in the

regular line. The only daughter of George IV. had died in childhood.

The Duke of Cumberland was for various reasons ineligible; the Duke of

Clarence, later King William IV., was almost too old; and therefore, to

insure the succession, the Duke of Kent was begged to marry a young and

attractive woman, a princess of the house of Saxe-Coburg, who was ready

for the honor. It was greatly to the Duke's credit that he showed deep

and sincere feeling in this matter. As he said himself in effect:

"This French lady has stood by me in hard times and in good times,

too--why should I cast her off? She has been more than a wife to me. And

what do I care for your plans in Parliament? Send over for one of the

Stuarts--they are better men than the last lot of our fellows that you

have had!"

In the end, however, he was wearied out and was persuaded to marry, but

he insisted that a generous sum should be settled on the lady who had

been so long his true companion, and to whom, no doubt, he gave many a

wistful thought in his new but unfamiliar quarters in Kensington Palace,

which was assigned as his residence.

Again, the second Duke of Cambridge, who died only a few years ago,

greatly desired to marry a lady who was not of royal rank, though of

fine breeding and of good birth. He besought his young cousin, as

head of the family, to grant him this privilege of marriage; but Queen

Victoria stubbornly refused. The duke was married according to the rites

of the church, but he could not make his wife a duchess. The queen never

quite forgave him for his partial defiance of her wishes, though the

duke's wife--she was usually spoken of as Mrs. FitzGeorge--was received

almost everywhere, and two of her sons hold high rank in the British

army and navy, respectively.

The one real love story in the life of George IV. is that which tells of

his marriage with a lady who might well have been the wife of any king.

This was Maria Anne Smythe, better known as Mrs. Fitzherbert, who was

six years older than the young prince when she first met him in company

with a body of gentlemen and ladies in 1784.

Maria Fitzherbert's face was one which always displayed its best

advantages. Her eyes were peculiarly languishing, and, as she had

already been twice a widow, and was six years his senior, she had the

advantage over a less experienced lover. Likewise, she was a Catholic,

and so by another act of Parliament any marriage with her would be

illegal. Yet just because of all these different objections the prince

was doubly drawn to her, and was willing to sacrifice even the throne if

he could but win her.

His father, the king, called him into the royal presence and said:

"George, it is time that you should settle down and insure the

succession to the throne."

"Sir," replied the prince, "I prefer to resign the succession and let my

brother have it, and that I should live as a private English gentleman."

Mrs. Fitzherbert was not the sort of woman to give herself up readily to

a morganatic connection. Moreover, she soon came to love Prince George

too well to entangle him in a doubtful alliance with one of another

faith than his. Not long after he first met her the prince, who was

always given to private theatricals, sent messengers riding in hot haste

to her house to tell her that he had stabbed himself, that he begged

to see her, and that unless she came he would repeat the act. The lady

yielded, and hurried to Carlton House, the prince's residence; but she

was prudent enough to take with her the Duchess of Devonshire, who was a

reigning beauty of the court.

The scene which followed was theatrical rather than impressive.--The

prince was found in his sleeping-chamber, pale and with his ruffles

blood-stained. He played the part of a youthful and love-stricken wooer,

vowing that he would marry the woman of his heart or stab himself

again. In the presence of his messengers, who, with the duchess,

were witnesses, he formally took the lady as his wife, while Lady

Devonshire's wedding-ring sealed the troth. The prince also acknowledged

it in a document.

Mrs. Fitzherbert was, in fact, a woman of sound sense. Shortly after

this scene of melodramatic intensity her wits came back to her, and she

recognized that she had merely gone through a meaningless farce. So

she sent back the prince's document and the ring and hastened to

the Continent, where he could not reach her, although his detectives

followed her steps for a year.

At the last she yielded, however, and came home to marry the prince

in such fashion as she could--a marriage of love, and surely one of

morality, though not of parliamentary law. The ceremony was performed

"in her own drawing-room in her house in London, in the presence of the

officiating Protestant clergyman and two of her own nearest relatives."

Such is the serious statement of Lord Stourton, who was Mrs.

Fitzherbert's cousin and confidant. The truth of it was never denied,

and Mrs. Fitzherbert was always treated with respect, and even regarded

as a person of great distinction. Nevertheless, on more than one

occasion the prince had his friends in Parliament deny the marriage in

order that his debts might be paid and new allowances issued to him by

the Treasury.

George certainly felt himself a husband. Like any other married prince,

he set himself to build a palace for his country home. While in search

of some suitable spot he chanced to visit the "pretty fishing-village"

of Brighton to see his uncle, the Duke of Cumberland. Doubtless he found

it an attractive place, yet this may have been not so much because

of its view of the sea as for the reason that Mrs. Fitzherbert had

previously lived there.

However, in 1784 the prince sent down his chief cook to make

arrangements for the next royal visit. The cook engaged a house on the

spot where the Pavilion now stands, and from that time Brighton began to

be an extremely fashionable place. The court doctors, giving advice that

was agreeable, recommended their royal patient to take sea-bathing at

Brighton. At once the place sprang into popularity.

At first the gentry were crowded into lodging-houses and the

accommodations were primitive to a degree. But soon handsome villas

arose on every side; hotels appeared; places of amusement were opened.

The prince himself began to build a tasteless but showy structure,

partly Chinese and partly Indian in style, on the fashionable promenade

of the Steyne.

During his life with Mrs. Fitzherbert at Brighton the prince held what

was practically a court. Hundreds of the aristocracy came down from

London and made their temporary dwellings there; while thousands who

were by no means of the court made the place what is now popularly

called "London by the Sea." There were the Duc de Chartres, of France;

statesmen and rakes, like Fox, Sheridan, and the Earl of Barrymore; a

very beautiful woman, named Mrs. Couch, a favorite singer at the opera,

to whom the prince gave at one time jewels worth ten thousand pounds;

and a sister of the Earl of Barrymore, who was as notorious as her

brother. She often took the president's chair at a club which George's

friends had organized and which she had christened the Hell Fire Club.

Such persons were not the only visitors at Brighton. Men of much more

serious demeanor came down to visit the prince and brought with them

quieter society. Nevertheless, for a considerable time the place was

most noted for its wild scenes of revelry, into which George frequently

entered, though his home life with Mrs. Fitzherbert at the Pavilion was

a decorous one.

No one felt any doubt as to the marriage of the two persons, who seemed

so much like a prince and a princess. Some of the people of the place

addressed Mrs. Fitzherbert as "Mrs. Prince." The old king and his wife,

however, much deplored their son's relation with her. This was partly

due to the fact that Mrs. Fitzherbert was a Catholic and that she had

received a number of French nuns who had been driven out of France at

the time of the Revolution. But no less displeasure was caused by the

prince's racing and dicing, which swelled his debts to almost a million

pounds, so that Parliament and, indeed, the sober part of England were

set against him.

Of course, his marriage to Mrs. Fitzherbert had no legal status; nor is

there any reason for believing that she ever became a mother. She had

no children by her former two husbands, and Lord Stourton testified

positively that she never had either son or daughter by Prince George.

Nevertheless, more than one American claimant has risen to advance

some utterly visionary claim to the English throne by reason of alleged

descent from Prince George and Mrs. Fitzherbert.

Neither William IV. nor Queen Victoria ever spent much time at Brighton.

In King William's case it was explained that the dampness of the

Pavilion did not suit him; and as to Queen Victoria, it was said that

she disliked the fact that buildings had been erected so as to cut

off the view of the sea. It is quite likely, however, that the queen

objected to the associations of the place, and did not care to be

reminded of the time when her uncle had lived there so long in a

morganatic state of marriage.

At length the time came when the king, Parliament, and the people at

large insisted that the Prince of Wales should make a legal marriage,

and a wife was selected for him in the person of Caroline, daughter of

the Duke of Brunswick. This marriage took place exactly ten years after

his wedding with the beautiful and gentle-mannered Mrs. Fitzherbert.

With the latter he had known many days and hours of happiness. With

Princess Caroline he had no happiness at all.

Prince George met her at the pier to greet her. It is said that as he

took her hand he kissed her, and then, suddenly recoiling, he whispered

to one of his friends:

"For God's sake, George, give me a glass of brandy!"

Such an utterance was more brutal and barbaric than anything his bride

could have conceived of, though it is probable, fortunately, that she

did not understand him by reason of her ignorance of English.

We need not go through the unhappy story of this unsympathetic,

neglected, rebellious wife. Her life with the prince soon became one

of open warfare; but instead of leaving England she remained to set the

kingdom in an uproar. As soon as his father died and he became king,

George sued her for divorce. Half the people sided with the queen,

while the rest regarded her as a vulgar creature who made love to her

attendants and brought dishonor on the English throne. It was a sorry,

sordid contrast between the young Prince George who had posed as a sort

of cavalier and this now furious gray old man wrangling with his furious

German wife.

Well might he look back to the time when he met Perdita in the moonlight

on the Thames, or when he played the part of Florizel, or, better still,

when he enjoyed the sincere and disinterested love of the gentle woman

who was his wife in all but legal status. Caroline of Brunswick was

thrust away from the king's coronation. She took a house within sight of

Westminster Abbey, so that she might make hag-like screeches to the

mob and to the king as he passed by. Presently, in August, 1821, only

a month after the coronation, she died, and her body was taken back to

Brunswick for burial.

George himself reigned for nine years longer. When he died in 1830 his

executor was the Duke of Wellington. The duke, in examining the late

king's private papers, found that he had kept with the greatest care

every letter written to him by his morganatic wife. During his last

illness she had sent him an affectionate missive which it is said George

"read eagerly." Mrs. Fitzherbert wished the duke to give up her letters;

but he would do so only in return for those which he had written to her.

It was finally decided that it would be best to burn both his and hers.

This work was carried out in Mrs. Fitzherbert's own house by the lady,

the duke, and the Earl of Albemarle.

Of George it may be said that he has left as memories behind him only

three things that will be remembered. The first is the Pavilion at

Brighton, with its absurdly oriental decorations, its minarets and

flimsy towers. The second is the buckle which he invented and which

Thackeray has immortalized with his biting satire. The last is the story

of his marriage to Maria Fitzherbert, and of the influence exercised

upon him by the affection of a good woman.